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  •   Festival 2018

      07 / 17 june 2018


      Programme

    •  07 june
    •  09 june
    •  10 june
    •  11 june
    •  12 june
    •  13 june
    •  14 june
    •  15 june
    •  16 june
    •  17 june

      Sections

    •  Theatre
    •  Dance
    •  Musical
    •  Walk of Fame
    •  Outdoor
    •  Circus
    •  Music
    •  Organ Concerts in Saxon Churches from Transylvania
    •  Opera
    •  Reading
    •  Conferences
    •  Exhibitions
    •  Film
    •  Book
    •  Worksops
    •   Meetingsof the Theatre Arts Schoolsl
    FITS 2018 Visual

  •   Festival 2017

      09 / 18 june 2017


      Programme

    •  09 june
    •  10 june
    •  11 june
    •  12 june
    •  13 june
    •  14 june
    •  15 june
    •  16 june
    •  17 june
    •  18 june

      Sections

    •  Theatre
    •  Dance
    •  Musical
    •  Walk of Fame
    •  Outdoor
    •  Circus
    •  Music
    •  Organ Concerts in Saxon Churches from Transylvania
    •  Opera
    •  Reading
    •  Conferences
    •  Exhibitions
    •  Film
    •  Book
    •  Worksops
    •   Meetingsof the Theatre Arts Schoolsl
    FITS 2017 Visual

  •   Festival 2016

      10 / 19 june 2016


      Programme

    •  10 june
    •  11 june
    •  12 june
    •  13 june
    •  14 june
    •  15 june
    •  16 june
    •  17 june
    •  18 june
    •  19 june

      Sections

    •  Theatre
    •  Dance
    •  Outdoor
    •  Contemporary Circus
    •  Music
    •  Reading
    •  Conferences
    •  Exhibitions
    •  Film
    •  Book
    •  Workshop
    •  Meetings of the Theatre Arts Schools
    FITS 2016 Visual

  •   Festival 2015

      12 / 21 june 2015


      Programme

    •  12 june
    •  13 june
    •  14 june
    •  15 june
    •  16 june
    •  17 june
    •  18 june
    •  19 june
    •  20 june
    •  21 june

      Sections

    •  Theatre
    •  Dance
    •  Outdoor
    •  Circus
    •  Musical
    •  Music
    •  Reading
    •  Conferences
    •  Exhibitions
    •  Film
    •  Book
    •  Workshop
    •  Meetings of the Theatre Arts Schoolsl
    FITS 2015 Visual

  •   Festival 2014

      6 / 15 june 2014


      Programme

    •  06 june
    •  07 june
    •  08 june
    •  09 june
    •  10 june
    •  11 june
    •  12 june
    •  13 june
    •  14 june
    •  15 june

      Sections

    •  Theatre
    •  Dance
    •  Outdoor
    •  Circus
    •  Music
    •  Reading
    •  Conferences
    •  Exhibitions
    •  Film
    •  Book
    •  Workshop
    •  Meetings of the Theatre Arts Schools
    FITS 2014 Visual

  •   Festival 2013

      7 / 16 june 2013


      Programme

    •  07 june
    •  08 june
    •  09 june
    •  10 june
    •  11 june
    •  12 june
    •  13 june
    •  14 june
    •  15 june
    •  16 june

      Sections

    •  Theatre
    •  Dance
    •  Outdoor
    •  Circus
    •  Music
    •  Reading
    •  Conferences
    •  Exhibitions
    •  Film
    •  Book
    •  Workshop
    •  Meetings of the Theatre Arts Schools
    FITS 2013 Visual

  •   Festival 2012

      25 may / 3 june 2012


    FITS 2012 Visual
  •  Conferences and Seminars 2014
 Poland
  
JAN KLATA, IN DIALOGUE WITH OCTAVIAN SAIU
Jan Klata is a multi-award winning theatre director, playwright and the general and artistic director of Stary Theatre in Krakow since 2013. He studied directing at the Theatre Academy in Warsaw, after which he moved to Krakow’s State Higher School of Theatre. In 2002, he submitted his play The Grapefruit’s Smile to the competition accompanying the first edition of Wrocław’s EuroDrama Contemporary Drama Forum. He was awarded and got a chance to direct the debut performance based on his own text. The production remained in the repertoire of Polski Theatre in Wrocław. He directed plays at the Polski Teatr in Wrocław, Wspolczesny Theatre in Wrocław, Wybrzeże Theatre in Gdansk, TR Warszawa, Schauspielhaus in Graz, Düsseldorf Schauspielhaus, Schauspielhaus Bochum and the Capitol Theatre in Wrocław. Among his most famous performances are „The Danton Case“ by Stanisława Przybyszewska (2008), ”A Piece on Mother and the Fatherland“ by Bożena Keff (2011) and Shakespeare’s “Titus Andronicus“ (2012) and “H“ after ”Hamlet (2013).
”First comes rebellion. Defiance against the hypocritical reality, against all those supermarkets, sales, promotions and 'Las Ketchup', 'Tatu', against nonsense and falsehood. Young people look at things in a fresh, sometimes desperate, sometimes angry and malicious, yet valuable way ...Behind this anger there is despair, sadness, sorrow on the one hand and passion for change on the other.“ Jan Klata, Słowo Polskie 18th of April 2003, http://culture.pl/
”What distinguishes J. Klata from other contemporary artists is the sharp theatrical language and radicalism of his artistic visions. For example, while referring to pop culture, he does not use it in the performance as a quote, but instead completely “plunges” his story into it. One can say that the director lives in a symbiotic relationship with the mass culture. He uses it consciously, emphasizing that the mass culture is the Polish contemporary reality. Simultaneously, using pop culture in new contexts he attracts a broader, mainly young, new audience. Thus the classical literature is for J. Klata an extremely important point of reference [...] we can observe that they form a kind of historical chronicle.“ Aleksandra Konopko, „The theater of Jan Klata. Struggling for a new audience“

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