•  Workshops 2014
 USA
  Pace University, New York
DEVELOPING THE CHARACTER'S PHYSICAL POINT OF VIEW
Sebastian Smeureanu
This workshop will lead the actor through a progressive physical understanding of the circumstances, relationships, and objectives within a monologue or a scene. The actor will extract the meaning of the moment through paraphrasing, and will experiment with how the character would physicalize that meaning. Topics covered include: The Actor as a FORCE - The concepts of mass, acceleration, and friction are examined as they apply to contact between the actor and other actors, physical objects, and objectives. Integrating the ‘SCORE’ - There is nothing by which an actor should remain unaffected. Everything in the sphere of the senses constitutes a ‘score’ to which she must respond physically and emotionally. Actors will experience various scores and gain an awareness of how that score can affect both internal and external factors. States & Sources of ENERGY - Actors will learn to identify sources of energy within a circumstance that will enable them to be an active part of the scene’s energy system. They will experiment with the balance between potential and kinetic states of words and physical actions and learn to maximize the use of each.The proportion between energy required and energy expended should be a conscious choice. Actors will perform exercises that help them employ the entire range of a given circumstance - no more, no less. The aim of the workshop is to have given the actor a VISCERAL understanding of key moments in the scene or monologue, an understanding to which she can return and integrate into the power and specificity of her character’s actions and words. This process can help an actor perform from a Truthful and Physical Point of View rather than a cerebral and censored one.

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